Presented by the UCLA Film & Television Archive

Visit the UCLA Film & Television Archive website(opens in a new tab) to learn more about upcoming screenings and events.

Free admission. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event.

In person: Introduction by UCLA Cinema and Media Studies Professor Kriss Ravetto-Biagioli and Université Paris Cité Visual Studies Professor Martine Beugnet.

Screening 1 of 2

La Llorona

Year: 2019 Country: Guatemala / France Language: Spanish with English subtitles Runtime: 97 min. Digital. Color.

As legend has it, the malevolent ghost of La Llorona wanders along waterways searching for her two children who have drowned (either by her hand or by the hands of others) and seeks to avenge the man who has abused and abandoned her. She is an ominous figure whose apparition is preceded by the sound of her laments. Those who hear her cries are marked for death. In Jayro Bustamante’s film, these cries are intertwined with calls for social justice and solidarity within Indigenous communities.

Director: Jayro Bustamante. Screenwriters: Jayro Bustamante, Gustavo Matheu. With: María Mercedes Coroy, Sabrina De La Hoz, Margarita Kénefic.

Screening 2 of 2

Pulse

Kaïro

Year: 2001 Country: Japan Language: Japanese with English subtitles Runtime: 119 min. Digital. Color.

In Kiyoshi Kurosawa’s apocalyptic ghost fiction, Kaïro, the technologization of contemporary life leads to the collapse of human relations and communication, and the loss of a shared history. A classic of techno-horror cinema, exemplary of Japanese cinema’s reinvention of the Kaidan or spirit story genre, Kaïro remains one of the most memorable evocations of modern technologies of communication as spectral conduits. Feeding on the growing uncertainty between touch and vision, the film stands as a transitional cinematic experiment, between so-called digital dematerialization and the eventuality of spectral forms of corporeality.

Director/screenwriter: Kiyoshi Kurosawa. With: Kumiko Aso, Haruhiko Kato, Koyuki.

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