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No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event.\u003C/strong>\u003C/p>\n\n\u003Cp> \u003C/p>\n\n\u003Cp>In person: benshi Ichirō Kataoka, composer and pianist Makia Matsumura.\u003C/p>\n\n\u003Cp> \u003C/p>\n\n\u003Cp>Screening 1 of 2\u003C/p>\n\n\u003Ch3>That's My Daddy\u003C/h3>\n\n\u003Cp>\u003Cstrong>Year:\u003C/strong> 1928\n\u003Cstrong>Country: \u003C/strong>U.S.\n\u003Cstrong>Language:\u003C/strong> English\n\u003Cstrong>Runtime:\u003C/strong> 60 min.\nDigital. B&amp;W.\u003C/p>\n\n\u003Cp dir=\"ltr\">One of Reginald Denny’s last silent comedies before he successfully transitioned to sound, \u003Cem>That’s My Daddy\u003C/em> may also be one of his most charming. Denny stars as a wealthy playboy who invents an injured daughter to get out of a speeding ticket only to find a real little girl (Jane La Verne) waiting to play the role after the obliging cop escorts him to the hospital. And on his wedding day, no less. Denny, one of Universal’s biggest stars at the time, told Kevin Brownlow that he took over from Harold Lloyd’s regular director Fred C. Newmeyer after a disagreement about comedic approach although Denny is only officially credited with the story.\u003C/p>\n\n\u003Cp dir=\"ltr\">DCP, b&amp;w, silent with live musical accompaniment, 60 min. Director: Fred Newmeyer. Screenwriters: Pierre Couderc, Albert DeMond, Earle Snell, Faith Thomas. With: Reginald Denny, Barbara Kent, Lillian Rich.\u003C/p>\n\n\u003Cp dir=\"ltr\">\u003Cem>Digitally restored version courtesy of the Packard Humanities Institute\u003C/em>.\u003C/p>\n\n\u003Cp> \u003C/p>\n\n\u003Cp>Screening 2 of 2\u003C/p>\n\n\u003Ch3>Different From the Others\u003C/h3>\n\n\u003Ch4>Anders als die andern\u003C/h4>\n\n\u003Cp>\u003Cstrong>Year:\u003C/strong> 1919\n\u003Cstrong>Country: \u003C/strong>Germany\n\u003Cstrong>Language:\u003C/strong> German and Japanese with English subtitles\n\u003Cstrong>Runtime:\u003C/strong> 48 min.\n35mm. B&amp;W.\u003C/p>\n\n\u003Cp dir=\"ltr\">A landmark film almost lost to history, \u003Cem>Different from the Others\u003C/em> (1919) is widely considered the first feature-length film aimed at a specifically gay audience made all the more significant for its humanistic depiction of gay men and its explicit plea for the end of their social and legal persecution. 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