[{"data":1,"prerenderedAt":63},["ShallowReactive",2],{"events-listing-detail-si-muero-antes-de-despertar-if-i-should-die-before-i-wake-05-30-26":3},{"event":4,"associatedSeries":40,"eventSeries":36,"pastEvents":61,"upcomingEvents":62,"exhibition":36},{"id":5,"uri":6,"sectionHandle":7,"title":8,"eventLocation":9,"image":13,"to":6,"slug":25,"libcalId":26,"publicUrl":27,"startDateWithTime":28,"endDateWithTime":29,"eventType":30,"eventDescription":34,"associatedLocations":35,"requiresRegistration":36,"libcalRegistrationOpened":36,"libcalRegistrationClosed":36,"libcalPhysicalSeats":36,"libcalPhysicalSeatsTaken":36,"libcalOnlineSeats":36,"libcalOnlineSeatsTaken":36,"libcalWaitlist":36,"onlineProvider":36,"onlineJoinURL":36,"eventTags":37,"presenter":38,"moreInformation":36,"eventOwner":39,"locations":35},"10159524","visit/events-exhibitions/si-muero-antes-de-despertar-if-i-should-die-before-i-wake-05-30-26","event","Si muero antes de despertar (If I Should Die Before I Wake)",[10],{"title":11,"to":12},"Billy Wilder Theater","https://cinema.ucla.edu/billy-wilder-theater",[14],{"image":15},[16],{"id":17,"src":18,"height":19,"width":20,"srcset":21,"alt":22,"focalPoint":23},"10161920","https://static.library.ucla.edu/craftassetsprod/images/_fullscreen/1952-Si-Muero-Antes-de-Despertar-FS-015.jpg",1778,2560,"https://static.library.ucla.edu/craftassetsprod/images/_375xAUTO_crop_center-center_none/1952-Si-Muero-Antes-de-Despertar-FS-015.jpg 375w, https://static.library.ucla.edu/craftassetsprod/images/_960xAUTO_crop_center-center_none/1952-Si-Muero-Antes-de-Despertar-FS-015.jpg 960w, https://static.library.ucla.edu/craftassetsprod/images/_1280xAUTO_crop_center-center_none/1952-Si-Muero-Antes-de-Despertar-FS-015.jpg 1280w, https://static.library.ucla.edu/craftassetsprod/images/_1920xAUTO_crop_center-center_none/1952-Si-Muero-Antes-de-Despertar-FS-015.jpg 1920w, https://static.library.ucla.edu/craftassetsprod/images/_2560xAUTO_crop_center-center_none/1952-Si-Muero-Antes-de-Despertar-FS-015.jpg 2560w","Woman holding a frightened looking boy",[24,24],0.5,"si-muero-antes-de-despertar-if-i-should-die-before-i-wake-05-30-26","16741753","https://calendar.library.ucla.edu/event/16741753","2026-05-30T21:25","2026-05-30T22:15",[31],{"id":32,"title":33},"156366","Screening","\u003Cp>\u003Ca href=\"https://cinema.ucla.edu/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Visit the UCLA Film & Television Archive website\u003C/a> to learn more about upcoming screenings and events.\u003C/p>\n\n\u003Cp>\u003Cstrong>Free admission. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event.\u003C/strong>\u003C/p>\n\n\u003Ch3 class=\"title\">Si muero antes de despertar\u003C/h3>\n\n\u003Ch4 class=\"alternate-title\">(If I Should Die Before I Wake)\u003Cspan lang=\"en\" xml:lang=\"en\">\u003C/span>\u003C/h4>\n\n\u003Cp>\u003Cstrong>Year: \u003C/strong>1952\u003Cbr />\n\u003Cstrong>Country: \u003C/strong>Argentina\u003Cbr />\n\u003Cstrong>Language: \u003C/strong>Spanish with English subtitles.\u003Cbr />\n\u003Cstrong>Runtime: \u003C/strong>72 min.\u003Cbr />\nDigital. B&W.\u003C/p>\n\n\u003Cp dir=\"ltr\">A complex father-son relationship is at the center of this Argentine film noir directed by Carlos Hugo Christensen. Originally meant to be included in a noir trilogy with \u003Cem>No abras nunca esa puerta\u003C/em> (\u003Cem>Never Open That Door\u003C/em>, 1952), previously restored by UCLA, the Grimm’s fairy-tale-like\u003Cem> Si muero antes de despertar\u003C/em> was instead released as a stand-alone feature. In this suspenseful adaptation of a Cornell Woolrich short story, the disappearance of several young girls, presumed to be victims of a sexual maniac, has the local population on edge. Police inspector Santana (Floren Delbene, a popular leading man in Argentina through the 1950s) is stymied by a lack of clues, while his wife (Blanca del Prado) simply says, “Those monsters ... They should leave them to us mothers.” Unknown to either parent, their obstreperous son, Lucho (Néstor Zavarce, who for an earlier Christensen film had earned the title of a “Child Prodigy of Venezuelan Cinema”), has vowed to keep a secret that might be of vital importance. Plagued by guilt, Lucho suffers through a feverish nightmare, courtesy of production designer Gori Muñoz, as surreal as the one concocted by Salvador Dalí in Hitchcock’s \u003Cem>Spellbound \u003C/em>(1945). The climax of the film, eerily lit by cinematographer Pablo Tabernero (a German émigré), with aspects too strong for North American censors, is nothing short of terrifying and was likely responsible for many sleepless Argentine nights.\u003C/p>\n\n\u003Cp dir=\"ltr\">Archivist Fernando Martin Peña, responsible for finding the original complete version of \u003Cem>Metropolis\u003C/em> (1927), has championed Argentine films for decades. In 1969, a large fire destroyed most of the country’s nitrate negatives, and it is hoped that a cinematheque can be built to house their remaining treasures. We have Peña, our collaborators at the Film Noir Foundation and Eddie Muller to thank for this restoration made from scant surviving materials nearly lost to decomposition.\u003Cem>—Miki Shannon\u003C/em>\u003C/p>\n\n\u003Cp dir=\"ltr\">DCP. \u003Cstrong>Production: \u003C/strong>San Miguel Studios. \u003Cstrong>Distribution:\u003C/strong> San Miguel Studios. \u003Cstrong>Director:\u003C/strong> Carlos Hugo Christensen. \u003Cstrong>Writer:\u003C/strong> Alejandro Casona. Adapted from a short story by Cornell Woolrich. \u003Cstrong>Cinematographer:\u003C/strong> Pablo Tabernero. \u003Cstrong>With:\u003C/strong> Néstor Zavarce, Blanca del Prado, Floren Delbene, Homero Cárpena.\u003C/p>\n\n\u003Cp dir=\"ltr\">\u003Cem>Restoration funding provided by the Film Noir Foundation and Eddie Muller. Restored by the UCLA Film & Television Archive from a 35mm acetate composite print. Laboratory services by Roundabout Entertainment, Inc, Audio Mechanics, Simon Daniel Sound. Special thanks to Argentina Sono Film, Luis Scalella; Malba Museo de Arte Latinoamericano de Buenos Aires; Fernando Martin Peña.\u003C/em>\u003C/p>",[],null,[],"2026 Festival of Preservation presented by the UCLA Film & Television Archive.","Jae Nguyen",[41],{"title":42,"sectionHandle":43,"workshopOrEventSeriesType":44,"text":45,"image":46,"to":57,"startDate":58,"endDate":59,"ongoing":60},"2026 UCLA Festival of Preservation","workshopOrEventSeries","visit/events-exhibitions","\u003Cp>The 22nd edition of the biennial UCLA Festival of Preservation showcases the UCLA Film & Television Archive’s latest preservation and restoration projects on the big screen.\u003C/p>",[47],{"image":48},[49],{"id":50,"src":51,"height":52,"width":20,"srcset":53,"alt":54,"focalPoint":55},"10133590","https://static.library.ucla.edu/craftassetsprod/images/_fullscreen/OtherLove1947_01.jpg",1909,"https://static.library.ucla.edu/craftassetsprod/images/_375xAUTO_crop_center-center_none/OtherLove1947_01.jpg 375w, https://static.library.ucla.edu/craftassetsprod/images/_960xAUTO_crop_center-center_none/OtherLove1947_01.jpg 960w, https://static.library.ucla.edu/craftassetsprod/images/_1280xAUTO_crop_center-center_none/OtherLove1947_01.jpg 1280w, https://static.library.ucla.edu/craftassetsprod/images/_1920xAUTO_crop_center-center_none/OtherLove1947_01.jpg 1920w, https://static.library.ucla.edu/craftassetsprod/images/_2560xAUTO_crop_center-center_none/OtherLove1947_01.jpg 2560w","Woman in dark dress and veil on her head looking into eyes of man in suit seated next to her",[24,56],0.1282,"visit/events-exhibitions/2026-ucla-festival-of-preservation","2026-05-29T00:00","2026-05-31T00:00",false,[],[],1776328394008]