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Use","https://www.ucla.edu/terms-of-use",{"event":212,"associatedSeries":248,"eventSeries":50,"pastEvents":269,"upcomingEvents":270,"exhibition":50},{"id":213,"uri":214,"sectionHandle":215,"title":216,"eventLocation":217,"image":221,"to":214,"slug":234,"libcalId":235,"publicUrl":236,"startDateWithTime":237,"endDateWithTime":238,"eventType":239,"eventDescription":243,"associatedLocations":244,"requiresRegistration":50,"libcalRegistrationOpened":50,"libcalRegistrationClosed":50,"libcalPhysicalSeats":50,"libcalPhysicalSeatsTaken":50,"libcalOnlineSeats":50,"libcalOnlineSeatsTaken":50,"libcalWaitlist":50,"onlineProvider":50,"onlineJoinURL":50,"eventTags":245,"presenter":246,"moreInformation":50,"eventOwner":247,"locations":244},"10888593","visit/events-exhibitions/malaga-the-decks-ran-red-12-13-26","event","Malaga / The Decks Ran Red",[218],{"title":219,"to":220},"Billy Wilder Theater","https://cinema.ucla.edu/billy-wilder-theater",[222],{"image":223},[224],{"id":225,"src":226,"height":227,"width":228,"srcset":229,"alt":230,"focalPoint":231},"10828103","https://static.library.ucla.edu/craftassetsprod/FTVA/_fullscreen/Decks_Ran_Red_3.jpg",1957,2560,"https://static.library.ucla.edu/craftassetsprod/FTVA/_375xAUTO_crop_center-center_none/Decks_Ran_Red_3.jpg 375w, https://static.library.ucla.edu/craftassetsprod/FTVA/_960xAUTO_crop_center-center_none/Decks_Ran_Red_3.jpg 960w, https://static.library.ucla.edu/craftassetsprod/FTVA/_1280xAUTO_crop_center-center_none/Decks_Ran_Red_3.jpg 1280w, https://static.library.ucla.edu/craftassetsprod/FTVA/_1920xAUTO_crop_center-center_none/Decks_Ran_Red_3.jpg 1920w, https://static.library.ucla.edu/craftassetsprod/FTVA/_2560xAUTO_crop_center-center_none/Decks_Ran_Red_3.jpg 2560w","2 men and a woman looking defensive. the men are holding guns",[232,233],0.4942,0.2306,"malaga-the-decks-ran-red-12-13-26","17588487","https://calendar.library.ucla.edu/event/17588487","2026-12-13T19:00","2026-12-13T22:00",[240],{"id":241,"title":242},"156366","Screening","\u003Cp>\u003Ca href=\"https://cinema.ucla.edu/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Visit the UCLA Film & Television Archive website\u003C/a> to learn more about upcoming screenings and events.\u003C/p>\n\n\u003Cp>\u003Cstrong>Free admission. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event.\u003C/strong>\u003C/p>\n\n\u003Cp> \u003C/p>\n\n\u003Cp>Screening 1 of 2\u003C/p>\n\n\u003Ch3>Malaga (a.k.a. Moment of Danger)\u003C/h3>\n\n\u003Cp>\u003Cstrong>Year:\u003C/strong> 1960\n\u003Cstrong>Country: \u003C/strong>U.K.\n\u003Cstrong>Language:\u003C/strong> English\n\u003Cstrong>Runtime:\u003C/strong> 97 min.\n35mm. B&W.\u003C/p>\n\n\u003Cp dir=\"ltr\">A double-crossing thief (Edmund Purdom) abandons both his partner (Trevor Howard) and his girlfriend Gianna (Dorothy Dandridge) after a robbery. The abandoned duo trail him from London to Spain, and fall for each other along the journey. The race and background of Dandridge’s character is never explicitly stated, which was a frustration to Dandridge, but led to her creating a role of great depth, sadness and mystery.\u003C/p>\n\n\u003Cp dir=\"ltr\">Director: Laslo Benedek. Screenwriter: David D. Osborn, Donald Ogden Stewart. With: Trevor Howard, Dorothy Dandridge, Edmund Purdom.\u003C/p>\n\n\u003Cp> \u003C/p>\n\n\u003Cp>Screening 2 of 2\u003C/p>\n\n\u003Ch3>The Decks Ran Red\u003C/h3>\n\n\u003Cp>\u003Cstrong>Year:\u003C/strong> 1958\n\u003Cstrong>Country: \u003C/strong>U.S.\n\u003Cstrong>Language:\u003C/strong> English\n\u003Cstrong>Runtime:\u003C/strong> 97 min.\n35mm. B&W.\u003C/p>\n\n\u003Cp dir=\"ltr\">This low-budget MGM movie by the interesting director Andrew L. Stone (who usually made independent films with his wife, Virginia L. Stone) is about a mutiny plot on a ship headed by a new captain (James Mason). The cook’s wife (Dorothy Dandridge) is the only woman on board, and is dangerously lusted after by many of the men. Dandridge and Mason became close friends while working on the film.\u003C/p>\n\n\u003Cp dir=\"ltr\">Director: Andrew L. Stone. Screenwriter: Andrew L. Stone. With: James Mason, Dorothy Dandridge, Broderick Crawford.\u003C/p>",[],[],"Presented by the UCLA Film & Television Archive","Suzy Lee",[249],{"title":250,"sectionHandle":251,"workshopOrEventSeriesType":252,"text":253,"image":254,"to":265,"startDate":266,"endDate":267,"ongoing":268},"Dorothy Dandridge","workshopOrEventSeries","visit/events-exhibitions","\u003Cp dir=\"ltr\">The story of Dorothy Dandridge’s career mirrors that of early 20th century Black Hollywood. She first arrived in Los Angeles with her family in the 1930s, during the Great Depression. Dorothy’s mother, Ruby, found work in radio and in small film parts, usually playing domestics. Dorothy and her sister Vivian transformed their Chitlin’ Circuit acrobatic act The Wonder Children into a singing group called The Dandridge Sisters, who were popular in nightclubs like The Cotton Club. The Dandridge family lived in the thriving Black Hollywood area around Central Street in South Los Angeles, connected to the rest of the city by streetcars known as Red Cars. In the 1940s, Dorothy lived in that same neighborhood with her husband, Harold Nicholas of the Nicholas Brothers. Dandridge later moved to a beautiful modern home in the Hollywood Hills before that area was fully integrated. She was always a pioneer, doing things first and refusing to accept the discrimination she saw around her. After she became the first Black woman to be nominated for the Best Actress Oscar for Otto Preminger’s \u003Cem>Carmen Jones\u003C/em> (1954), she turned down countless supporting roles or what she considered to be stereotypes. Dandridge instead chose to make European and independent films, many of which will screen on prints in this series. She wasn’t so much ahead of her time, as an uncompromising bright talent who refused to bend to a flawed and racist industry. Hollywood today is still catching up to her. \u003C/p>\n\u003Cp dir=\"ltr\">\u003Cem>Series programmed and notes written by Miriam Bale. \u003C/em>\u003C/p>\n\u003Cp>\u003Cbr />\u003C/p>",[255],{"image":256},[257],{"id":258,"src":259,"height":260,"width":228,"srcset":261,"alt":262,"focalPoint":263},"10827836","https://static.library.ucla.edu/craftassetsprod/FTVA/_fullscreen/carmenjones1954-fsct03.jpg",1532,"https://static.library.ucla.edu/craftassetsprod/FTVA/_375xAUTO_crop_center-center_none/carmenjones1954-fsct03.jpg 375w, https://static.library.ucla.edu/craftassetsprod/FTVA/_960xAUTO_crop_center-center_none/carmenjones1954-fsct03.jpg 960w, https://static.library.ucla.edu/craftassetsprod/FTVA/_1280xAUTO_crop_center-center_none/carmenjones1954-fsct03.jpg 1280w, https://static.library.ucla.edu/craftassetsprod/FTVA/_1920xAUTO_crop_center-center_none/carmenjones1954-fsct03.jpg 1920w, https://static.library.ucla.edu/craftassetsprod/FTVA/_2560xAUTO_crop_center-center_none/carmenjones1954-fsct03.jpg 2560w","dorothy dandridge standing next to a movie poster for carmen jones",[264,264],0.5,"visit/events-exhibitions/dorothy-dandridge","2026-12-02T00:00","2026-12-20T00:00",false,[],[],1789589201827]