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No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event.\u003C/strong>\u003C/p>\n\n\u003Cp> \u003C/p>\n\n\u003Cp>In person: Introduction by UCLA Cinema and Media Studies Professor Kriss Ravetto-Biagioli and Université Paris Cité Visual Studies Professor Martine Beugnet.\u003C/p>\n\n\u003Cp> \u003C/p>\n\n\u003Cp>Screening 1 of 2\u003C/p>\n\n\u003Ch3>La Llorona\u003C/h3>\n\n\u003Cp>\u003Cstrong>Year:\u003C/strong> 2019\n\u003Cstrong>Country: \u003C/strong>Guatemala / France\n\u003Cstrong>Language:\u003C/strong> Spanish with English subtitles\n\u003Cstrong>Runtime:\u003C/strong> 97 min.\nDigital. Color.\u003C/p>\n\n\u003Cp dir=\"ltr\">As legend has it, the malevolent ghost of La Llorona wanders along waterways searching for her two children who have drowned (either by her hand or by the hands of others) and seeks to avenge the man who has abused and abandoned her. She is an ominous figure whose apparition is preceded by the sound of her laments. Those who hear her cries are marked for death. In Jayro Bustamante’s film, these cries are intertwined with calls for social justice and solidarity within Indigenous communities.\u003C/p>\n\n\u003Cp dir=\"ltr\">Director: Jayro Bustamante. Screenwriters: Jayro Bustamante, Gustavo Matheu. With: María Mercedes Coroy, Sabrina De La Hoz, Margarita Kénefic.\u003C/p>\n\n\u003Cp dir=\"ltr\"> \u003C/p>\n\n\u003Cp>Screening 2 of 2\u003C/p>\n\n\u003Ch3>Pulse\u003C/h3>\n\n\u003Ch4>Kaïro\u003C/h4>\n\n\u003Cp>\u003Cstrong>Year:\u003C/strong> 2001\n\u003Cstrong>Country: \u003C/strong>Japan\n\u003Cstrong>Language:\u003C/strong> Japanese with English subtitles\n\u003Cstrong>Runtime:\u003C/strong> 119 min.\nDigital. Color.\u003C/p>\n\n\u003Cp dir=\"ltr\">In Kiyoshi Kurosawa’s apocalyptic ghost fiction, \u003Cem>Kaïro\u003C/em>, the technologization of contemporary life leads to the collapse of human relations and communication, and the loss of a shared history. A classic of techno-horror cinema, exemplary of Japanese cinema’s reinvention of the \u003Cem>Kaidan\u003C/em> or spirit story genre, \u003Cem>Kaïro\u003C/em> remains one of the most memorable evocations of modern technologies of communication as spectral conduits. 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