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No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event.\u003C/strong>\u003C/p>\n\n\u003Cp> \u003C/p>\n\n\u003Cp>Screening 1 of 3\u003C/p>\n\n\u003Ch3>Cow-Cow Boogie\u003C/h3>\n\n\u003Cp>\u003Cstrong>Year:\u003C/strong> 1942\n\u003Cstrong>Country: \u003C/strong>U.S.\n\u003Cstrong>Language:\u003C/strong> English\n\u003Cstrong>Runtime:\u003C/strong> 3 min.\n16mm. B&W.\u003C/p>\n\n\u003Cp dir=\"ltr\">Director: Josef Berne. With: Dorothy Dandridge, Dudley Dickerson.\u003C/p>\n\n\u003Cp dir=\"ltr\">\u003Cem>Digitally restored version courtesy of the Packard Humanities Institute\u003C/em>.\u003C/p>\n\n\u003Cp> \u003C/p>\n\n\u003Cp>Screening 2 of 3\u003C/p>\n\n\u003Ch3>Lazybones\u003C/h3>\n\n\u003Cp>\u003Cstrong>Year:\u003C/strong> 1941\n\u003Cstrong>Country: \u003C/strong>U.S.\n\u003Cstrong>Language:\u003C/strong> English\n\u003Cstrong>Runtime:\u003C/strong> 3 min.\n16mm. B&W.\u003C/p>\n\n\u003Cp dir=\"ltr\">Director: Dudley Murphy. With: Hoagy Carmichael, Dorothy Dandridge, Peter Ray.\u003C/p>\n\n\u003Cp dir=\"ltr\"> \u003C/p>\n\n\u003Cp>Screening 3 of 3\u003C/p>\n\n\u003Ch3>Introducing Dorothy Dandridge\u003C/h3>\n\n\u003Cp>\u003Cstrong>Year:\u003C/strong> 1999\n\u003Cstrong>Country: \u003C/strong>U.S.\n\u003Cstrong>Language:\u003C/strong> English\n\u003Cstrong>Runtime:\u003C/strong> 120 min.\nDigital. Color.\u003C/p>\n\n\u003Cp dir=\"ltr\">Produced and starring Halle Berry, directed by Martha Coolidge and written by Shonda Rhimes, this exciting HBO biopic about Dandridge reintroduced Dandridge to audiences at the turn of the century, cementing her legendary status. Based on an unauthorized biography by Earl Mills, Dandridge’s former manager, the story centers on Dandridge in the 1960s reminiscing on the phone about her career peaks and valleys. When Berry became the first (and still only) Black woman to win the Best Actress Oscar a few years later for \u003Cem>Monster’s Ball \u003C/em>in 2002, she said in her acceptance speech, “This is for Dorothy Dandridge.”\u003C/p>\n\n\u003Cp dir=\"ltr\">Director: Martha Coolidge. Screenwriters: Shonda Rhimes, Scott Abbott. With: Halle Berry, Brent Spiner.\u003C/p>",[],[],"Presented by the UCLA Film & Television Archive","Suzy Lee",[249],{"title":250,"sectionHandle":251,"workshopOrEventSeriesType":252,"text":253,"image":254,"to":265,"startDate":266,"endDate":267,"ongoing":268},"Dorothy Dandridge","workshopOrEventSeries","visit/events-exhibitions","\u003Cp dir=\"ltr\">The story of Dorothy Dandridge’s career mirrors that of early 20th century Black Hollywood. She first arrived in Los Angeles with her family in the 1930s, during the Great Depression. Dorothy’s mother, Ruby, found work in radio and in small film parts, usually playing domestics. Dorothy and her sister Vivian transformed their Chitlin’ Circuit acrobatic act The Wonder Children into a singing group called The Dandridge Sisters, who were popular in nightclubs like The Cotton Club. The Dandridge family lived in the thriving Black Hollywood area around Central Street in South Los Angeles, connected to the rest of the city by streetcars known as Red Cars. In the 1940s, Dorothy lived in that same neighborhood with her husband, Harold Nicholas of the Nicholas Brothers. Dandridge later moved to a beautiful modern home in the Hollywood Hills before that area was fully integrated. She was always a pioneer, doing things first and refusing to accept the discrimination she saw around her. After she became the first Black woman to be nominated for the Best Actress Oscar for Otto Preminger’s \u003Cem>Carmen Jones\u003C/em> (1954), she turned down countless supporting roles or what she considered to be stereotypes. Dandridge instead chose to make European and independent films, many of which will screen on prints in this series. She wasn’t so much ahead of her time, as an uncompromising bright talent who refused to bend to a flawed and racist industry. Hollywood today is still catching up to her. \u003C/p>\n\u003Cp dir=\"ltr\">\u003Cem>Series programmed and notes written by Miriam Bale. \u003C/em>\u003C/p>\n\u003Cp>\u003Cbr />\u003C/p>",[255],{"image":256},[257],{"id":258,"src":259,"height":260,"width":228,"srcset":261,"alt":262,"focalPoint":263},"10827836","https://static.library.ucla.edu/craftassetsprod/FTVA/_fullscreen/carmenjones1954-fsct03.jpg",1532,"https://static.library.ucla.edu/craftassetsprod/FTVA/_375xAUTO_crop_center-center_none/carmenjones1954-fsct03.jpg 375w, https://static.library.ucla.edu/craftassetsprod/FTVA/_960xAUTO_crop_center-center_none/carmenjones1954-fsct03.jpg 960w, https://static.library.ucla.edu/craftassetsprod/FTVA/_1280xAUTO_crop_center-center_none/carmenjones1954-fsct03.jpg 1280w, https://static.library.ucla.edu/craftassetsprod/FTVA/_1920xAUTO_crop_center-center_none/carmenjones1954-fsct03.jpg 1920w, https://static.library.ucla.edu/craftassetsprod/FTVA/_2560xAUTO_crop_center-center_none/carmenjones1954-fsct03.jpg 2560w","dorothy dandridge standing next to a movie poster for carmen jones",[264,264],0.5,"visit/events-exhibitions/dorothy-dandridge","2026-12-02T00:00","2026-12-20T00:00",false,[],[],1789589202218]