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No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event.\u003C/strong>\u003C/p>\n\n\u003Cp> \u003C/p>\n\n\u003Cp>In person: Pre-screening talk by Laura Horak, author, \u003Cem>Trans Cinema: Making Communities, Identities, and Worlds. \u003C/em>Post-screening Q&A.\u003C/p>\n\n\u003Cp> \u003C/p>\n\n\u003Cp dir=\"ltr\">\u003Cem>Archive Talks\u003C/em> pairs leading historians and scholars with screenings of the moving image media that is the focus of their writing and research. Each program will begin with a special talk by the invited scholar that will introduce audiences to new insights, interpretations and contexts for the films and media being screened.\u003C/p>\n\n\u003Cp dir=\"ltr\">This screening will be preceded by a book signing of \u003Cem>Trans Cinema: Making Communities, Identities, and Worlds\u003C/em> with author Laura Horak beginning at 6 p.m. in the lobby.\u003C/p>\n\n\u003Cp dir=\"ltr\">The Archive first worked with archivist and scholar Laura Horakfilms in 2022 when we presented a series of films unearthed by Horak and her collaborators, Maggie Hennefeld and Elif Rongen-Kaynakçi. Their archival project \u003Cem>Cinema’s First Nasty Women \u003C/em>celebrated the work of silent comedians who brought an anarchic brand of gender non-conformity to slapstick. 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